Some Random Sound

TG Episode III: The Taking

Administrator — Fri, 19 Mar 2010 19:21:22 +0000

TG Episode II: The Whispering

Administrator — Mon, 01 Mar 2010 01:00:43 +0000

It’s Time.

Listen here.

Or Subscribe here.

Episode II is out!!

Administrator — Sun, 28 Feb 2010 01:47:17 +0000

Listen here

Subscribe here

My Name is Asher Lev Reviews

Administrator — Tue, 23 Feb 2010 16:11:18 +0000

Asher Lev

“…And Matthew M. Nielson’s simple note patterns cement a sound design that haunted me even after I was home.”
- Howard Shapiro, Philadelphia Inquirer

Troublesome Gap Episode II: The Whispering

Administrator — Tue, 23 Feb 2010 06:13:46 +0000

Troublesome Gap feature in Washington Post!

Administrator — Thu, 03 Dec 2009 18:41:55 +0000

Check out Jane Horowit’s lovely feature on Troublesome Gap in her Backstage column in the Washington Post here.

And the feature that Lorraine Treanor posted at DCTheatreScene here.

The Audible Group launches Troublesome Gap

Administrator — Mon, 30 Nov 2009 21:00:23 +0000

Troublesome Gap, a new web-based interactive audio drama series made it’s debut today on the Troublesome Gap website. The series is also available as a podcast directly through iTunes. Subscribe here.

Living Dead in Denmark Reviews

Administrator — Tue, 18 Aug 2009 05:32:26 +0000

“And I would have to be a dead person myself not to appreciate Matthew M Nielson’s wonderful sound design (he also wrote the music for some of Nguyen’s songs). Nielson puts his mark on the show from the beginning, when as you settle in you hear a dripping which might be water and might be…you know, stuff. Zombie stuff”
- Tim Treanor, DCTheatreScene
“…while body parts crunch and squish ickily in Matthew M Nielson’s nicely layered sound design.”
- Nelson Pressly, Washington Post

Eurydice Reviews

Administrator — Thu, 12 Feb 2009 05:16:43 +0000

“Sound effects are pivotal to any ‘Eurydice’ production. Designer Matthew M Nielson has supplied spooky acoustic layers of electronic keenings, ominous rock chords, rumblings and a plaintive, evolving music-box melody that gives two wordless scenes a wrenching pathos.”
- Celia Wren, Washington Post